
Gioachino Rossini’s operatic works are framed by the composition of church music. In his youth he grew up surrounded by sacred music and through this music gained his first experience as a composer, which included learning how to write for the voice. Musically, he took stock of the wisdom he gained in his later years by composing key works such as Stabat Mater and Petite Messe solennelle. The Missa di Rimini belongs to Rossini’s first creative period and was composed in 1809 for the local cathedral. It is a Kyrie – Gloria Mass in which the Gloria, in accordance with the Italian tradition is extended and divided in ten numbers. The Mass is characterized by the joy of making music and offers both soloists and choir rewarding, if not difficult musical tasks. The compositional demands of the Mass are demonstrated also by the presence of extended instrumental passages in the work.
| 작곡가 | Rossini, Gioachino |
|---|---|
| 에디터 | Joerg, Guido Johannes |
| 출판사 | Carus-Verlag |
| 페이지수 | 88쪽 |
| 편성 | Soprano (소프라노), Alto (알토), Tenor (테너), Bass (베이스), Mixed choir (혼성합창), 2 Oboe (오보에), 2 Horn (호른), 2 Violin (바이올린), 2 Viola (비올라), 피아노(basso continuo) |
| 고유코드 | CV 40.674/03010000 |
| 작곡연도 | 1809 |
| 연주시간 | 약 45분 |
| 언어 | Latin |
| 최소주문수량 | 1 |
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