
The term “Brockes Passion” was firmly established in the eighteenth century. It refers to the Passion poem “Der für die Sünde der Welt gemarterte und sterbende Jesu” (“Jesus, tortured and dying for the sins of the world”), written in 1712 by the Hamburg patrician Barthold Heinrich Brockes. Musically speaking, however, there was no single musical “Brockes Passion”. The text was so popular that it was set to music by several prominent composers, including Reinhard Keiser, Georg Philipp Telemann, George Frideric Handel, Gottfried Heinrich Stölzel and Johann Friedrich Fasch. Handel's “Brockes Passion” is special in many respects. Composed around 1716, when he was already living in London but had not yet secured permanent employment, the work may have been intended as part of his application for the directorship of the Hamburg Gänsemarkt Opera. In any case the autograph score made its way to Hamburg shortly afterwards, but it was later lost. This is where Johann Sebastian Bach surprisingly enters the picture. In 1746-47 he personally copied the first fifty or so pages and entrusted the rest of the work to one of his main copyists. This Bach copy is the primary source of the present edition and at the same time it bears witness to a musical encounter between two Baroque geniuses who never met in person.
| 작곡가 | Händel, Georg Friedrich |
|---|---|
| 에디터 | Traub, Andreas |
| 출판사 | Carus-Verlag |
| 페이지수 | 152쪽 |
| 편성 | Soprano (소프라노), Tenor (테너), Bass (베이스), Soloists (독창), Mixed choir (혼성합창), 2 Oboe (오보에), Oboe (오보에), 2 Violin (바이올린), Viola (비올라), 피아노(basso continuo) |
| 고유코드 | CV 55.048/03010000 |
| 연주시간 | 약 155분 |
| 언어 | German |
| 최소주문수량 | 1 |
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