George Frideric Handel is considered England’s first and foremost composer of oratorios. Above all, the Messiah is regarded as the epitome of sacred music and in German-speaking countries it is also one of the most often performed works in the genre. The work is available from Carus in a modern Urtext edition, edited by the internationally renowned early music expert Ton Koopman.
The version of the Messiah which is most often performed today is a combination of various versions. Consequently, the present critical edition by Ton Koopman contains all the surviving alternative versions of the solo movements. A concordance makes it possible to assign these movements to those various performances of the work conducted by Handel between the Dublin premiere in 1742 and the London concerts which took place up to 1759. In accordance with the wishes voiced by many choral conductors and singers, the vocal score is available in separate English and German versions. A choral score is also available for the choir in the version that is still commonly used for performances today (without variant movements).
| 작곡가 | Händel, Georg Friedrich |
|---|---|
| 에디터 | Siemons, Jan / Koopman, Ton |
| 출판사 | Carus-Verlag |
| 편성 | Soprano (소프라노), Alto (알토), Tenor (테너), Bass (베이스), Mixed choir (혼성합창), 2 Oboe (오보에), Bassoon (바순), 2 Trumpet (트럼펫), Timpani (팀파니), 2 Violin (바이올린), Viola (비올라), 피아노(basso continuo) |
| 고유코드 | CV 55.056/19010000 |
| 작곡연도 | 1742 |
| 연주시간 | 약 144분 |
| 언어 | English, German |
| 사이즈 | 23 × 32 cm |
| 최소주문수량 | 1 |
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