The history of the genesis of the Requiem is entwined with legends and anecdotes. The burdens of the composition and performance of La Clemenza di Tito and Die Zauberflöte, and an acute infection led to the collapse and death of the composer following a short illness.
When he died on December 5th, 1791, the composer left behind a fragment for a requiem composition, where the various sections were at different stages of completion. Mozart’s wife Constanze therefore turned to Mozart’s friends, asking them to complete the fragment. After two failed attempts, the task passed to Mozart’s pupil Franz Xaver Süßmayr, who completed the Requiem in the form known today, using working materials that are no longer extant, and perhaps verbal instructions from the composer. Today the Süßmayr version is still the most well known, and it is doubtless the one with the closest historical ties to Mozart.
| 작곡가 | Mozart, Wolfgang Amadeus |
|---|---|
| 편곡자 | Süßmayr, Franz Xaver |
| 에디터 | Leisinger, Ulrich |
| 출판사 | Carus-Verlag |
| 편성 | Soprano (소프라노), Alto (알토), Tenor (테너), Bass (베이스), Mixed choir (혼성합창), 2 Clarinet (클라리넷), 2 Bassoon (바순), 2 Trumpet (트럼펫), 3 Trombone (트롬본), Timpani (팀파니), 2 Violin (바이올린), Viola (비올라), 피아노(basso continuo) |
| 고유코드 | CV 51.626/19010000 |
| 작곡연도 | 1791 |
| 연주시간 | 약 47분 |
| 언어 | Latin |
| 사이즈 | 23 × 32 cm |
| 최소주문수량 | 1 |
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